Acquisition
2006

Rudolph Stingel
Italian, born 1956
Untitled, 1988
Oil and enamel on canvas
19.7 x 19.7 in. (50 x 50 cm)
The Artist
currently on display at the
Art Institute of Chicago
- Adolph Gottlieb
- Doug Aitken
- Josef Albers
- Alexander Calder
- Ghada Amer
- Carl Andre
- Richard Artschwager
- Bill Viola
- Lee Bontecou
- Paul Caponigro
- Paul Chan
- Francis Chapin
- Charles Sheeler
- Christo
- Larry Clark
- Dan Flavin
- Dan Graham
- David Aronson
- Jimmie Durham
- Edwin Dickinson
- Nicole Eisenman
- Ellsworth Kelly
- General Idea
- George Mueller
- Ger van Elk
- Leon Albert Golub
- Gregorio Prestopino
- Philip Guston
- Marcia Hafif
- Hans Hofmann
- Gary Hume
- Irene Rice Pereira
- James Lechay
- Jim Dine
- Jasper Johns
- Joseph Raffael
- Donald Judd
- Jules Olitski
- Julian E. Levi
- June Leaf
- Alex Katz
- Guillermo Kuitca
- Kurt Seligmann
- Lorna Simpson
- Roberto Matta
- Joan Mitchell
- Matthew Monahan
- Robert Morris
- Osvaldo Louis Guglielmi
- Nam June Paik
- Ed Paschke
- Jackson Pollock
- Raoul Hague
- Reinhard Mucha
- Bridget Riley
- Doris Salcedo
- Julian Schnabel
- Sean Sean Scully
- Ben Shahn
- Paul Sharits
- Siah Armajani
- David Smith
- Bob Snyder
- Yutaka Sone
- Nancy Spero
- Hedda Sterne
- Rudolph Stingel
- Jessica Stockholder
- Tacita Dean
- Wolfgang Tillmans
- Rosemarie Trockel
- James Turrell
- Danh Vo
- Wayne Thiebaud
- Martin Wong
- Christopher Wool
Featuring unusual and often banal materials such as industrial carpet and Styrofoam, Rudolf Stingel’s conceptual paintings and site-specific installations transform into dazzling pictorial statements. Sometimes produced through unexpected results, Stingel’s work deconstructs—and therefore demystifies—the processes of making art. His work often disrupts the perception of exhibition spaces and destabilizes the accepted hierarchy between the work and the context.
The Acquisition
Untitled is the first in Stingel’s series of iconic textural silver paintings—made by a process of coating the canvas in a single color, laying a piece of tulle over the surface, spraying the canvas with silver paint, and then removing the fabric to reveal lyrical, painterly creases on a luminous field of color. The silver surface disrupts the modernist monochrome, making it more contemporary, and adds a touch of glamour and decoration. Embracing nontraditional strategies in painting, as well as redefining the role of the artist, Stingel printed a step-by-step illustrated list of instructions in six languages, which reveals his technique and allows anyone who followed his “recipe” to create one of his paintings.