Acquisition
2005

Yutaka Sone
Japanese, born 1965
Highway Junction 14-5, 2002
Marble, edition 3/3
13 3/8 x 44 1/2 x 48 5/8 in. (33.7 x 113 x 123.8 cm)
The Artist
currently on display at the
Art Institute of Chicago
- Adolph Gottlieb
- Doug Aitken
- Josef Albers
- Alexander Calder
- Ghada Amer
- Carl Andre
- Richard Artschwager
- Bill Viola
- Lee Bontecou
- Paul Caponigro
- Paul Chan
- Francis Chapin
- Charles Sheeler
- Christo
- Larry Clark
- Dan Flavin
- Dan Graham
- David Aronson
- Jimmie Durham
- Edwin Dickinson
- Nicole Eisenman
- Ellsworth Kelly
- General Idea
- George Mueller
- Ger van Elk
- Leon Albert Golub
- Gregorio Prestopino
- Philip Guston
- Marcia Hafif
- Hans Hofmann
- Gary Hume
- Irene Rice Pereira
- James Lechay
- Jim Dine
- Jasper Johns
- Joseph Raffael
- Donald Judd
- Jules Olitski
- Julian E. Levi
- June Leaf
- Alex Katz
- Guillermo Kuitca
- Kurt Seligmann
- Lorna Simpson
- Roberto Matta
- Joan Mitchell
- Matthew Monahan
- Robert Morris
- Osvaldo Louis Guglielmi
- Nam June Paik
- Ed Paschke
- Jackson Pollock
- Raoul Hague
- Reinhard Mucha
- Bridget Riley
- Doris Salcedo
- Julian Schnabel
- Sean Sean Scully
- Ben Shahn
- Paul Sharits
- Siah Armajani
- David Smith
- Bob Snyder
- Yutaka Sone
- Nancy Spero
- Hedda Sterne
- Rudolph Stingel
- Jessica Stockholder
- Tacita Dean
- Wolfgang Tillmans
- Rosemarie Trockel
- James Turrell
- Danh Vo
- Wayne Thiebaud
- Martin Wong
- Christopher Wool
Yutaka Sone, using a wide variety of media and a singularly poetic vocabulary, transforms the commonplace into a spectacle.
The Acquisition
Highway Junction 14-5 is one in a series of topographical marble sculptures of freeway interchanges that the artist created after moving to Los Angeles in 2000. Working from aerial photographs of the highway and videotapes of the surrounding environs, he assembled a scale model from cardboard and foam and enlisted Chinese craftsmen to execute the marble relief. The material ironically highlights the motorway's status as a defining feature of Los Angeles culture. Its delicate nature and intricate detail transforms the crossroads into an object of beauty and wonder; in fact, the artist refers to its looping form as a "flower in bloom."