Acquisition
1975

Carl Andre
American, born 1935
Steel Aluminum Plain, 1969
Steel and aluminum
3/8 x 72 x 72 in. (0.6 x 182.9 x 182.9 cm)
The Artist
currently on display at the
Art Institute of Chicago
- Adolph Gottlieb
- Doug Aitken
- Josef Albers
- Alexander Calder
- Ghada Amer
- Carl Andre
- Richard Artschwager
- Bill Viola
- Lee Bontecou
- Paul Caponigro
- Paul Chan
- Francis Chapin
- Charles Sheeler
- Christo
- Larry Clark
- Dan Flavin
- Dan Graham
- David Aronson
- Jimmie Durham
- Edwin Dickinson
- Nicole Eisenman
- Ellsworth Kelly
- General Idea
- George Mueller
- Ger van Elk
- Leon Albert Golub
- Gregorio Prestopino
- Philip Guston
- Marcia Hafif
- Hans Hofmann
- Gary Hume
- Irene Rice Pereira
- James Lechay
- Jim Dine
- Jasper Johns
- Joseph Raffael
- Donald Judd
- Jules Olitski
- Julian E. Levi
- June Leaf
- Alex Katz
- Guillermo Kuitca
- Kurt Seligmann
- Lorna Simpson
- Roberto Matta
- Joan Mitchell
- Matthew Monahan
- Robert Morris
- Osvaldo Louis Guglielmi
- Nam June Paik
- Ed Paschke
- Jackson Pollock
- Raoul Hague
- Reinhard Mucha
- Bridget Riley
- Doris Salcedo
- Julian Schnabel
- Sean Sean Scully
- Ben Shahn
- Paul Sharits
- Siah Armajani
- David Smith
- Bob Snyder
- Yutaka Sone
- Nancy Spero
- Hedda Sterne
- Rudolph Stingel
- Jessica Stockholder
- Tacita Dean
- Wolfgang Tillmans
- Rosemarie Trockel
- James Turrell
- Danh Vo
- Wayne Thiebaud
- Martin Wong
- Christopher Wool
In 1966 Carl Andre revolutionized sculpture by pioneering works that lie flat on the ground rather than rising up and occupying space. Andre invites viewers to walk upon his sculptures so that they can register, on a sensory level, the feel of different materials (such as steel and aluminum) and the distinction between standing in the middle of a sculpture and remaining outside of its boundaries.
The Acquisition
Originally exhibited as part of a single installation entitled 37 Pieces of Work, at the Solomon R. Guggenheim Museum, New York, in 1970, Steel-Aluminum Plain alternates identically sized steel and aluminum plates that form a six-square-foot checkerboard pattern of subdued visual restraint.